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	<title>Comments for Density Pulsaret</title>
	<atom:link href="http://www.alessandro-petrolati.it/2010_density/?feed=comments-rss2" rel="self" type="application/rss+xml" />
	<link>http://www.alessandro-petrolati.it/2010_density</link>
	<description>Granular Synthesis Software</description>
	<lastBuildDate>Thu, 22 Sep 2011 20:13:44 +0000</lastBuildDate>
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		<title>Comment on Spotlight Artist by Red Fog</title>
		<link>http://www.alessandro-petrolati.it/2010_density/?p=346#comment-362</link>
		<dc:creator>Red Fog</dc:creator>
		<pubDate>Thu, 22 Sep 2011 20:13:44 +0000</pubDate>
		<guid isPermaLink="false">http://www.alessandro-petrolati.it/2010_density/?p=346#comment-362</guid>
		<description>Density is a terrific granular monster! Definitly in my top 3 grain weapons of choice. Here some of my work using Density:  
 
(approx.) 2:50 to 4:30... The framented crystal kind of sound in the background:
http://soundcloud.com/red-fog/memory-of-the-ferrofluids
 
approx 8:50 to the end... cloud of crispy grains:
http://soundcloud.com/red-fog/199-broken-light-tubes
 
approx. 8:25 to the end... cloud of glassy grains:
http://soundcloud.com/red-fog/frostar
 
11:00 to 13:25, granular resysnthesis with a japanese shamisen instrument:
http://soundcloud.com/sleeping-on-lotus-ashes/myoelectric-prosthetic-scabs

Enjoy! And thanks Alessandro for this amazing tool of granules, a must.</description>
		<content:encoded><![CDATA[<p>Density is a terrific granular monster! Definitly in my top 3 grain weapons of choice. Here some of my work using Density:  </p>
<p>(approx.) 2:50 to 4:30&#8230; The framented crystal kind of sound in the background:<br />
<a href="http://soundcloud.com/red-fog/memory-of-the-ferrofluids" rel="nofollow">http://soundcloud.com/red-fog/memory-of-the-ferrofluids</a></p>
<p>approx 8:50 to the end&#8230; cloud of crispy grains:<br />
<a href="http://soundcloud.com/red-fog/199-broken-light-tubes" rel="nofollow">http://soundcloud.com/red-fog/199-broken-light-tubes</a></p>
<p>approx. 8:25 to the end&#8230; cloud of glassy grains:<br />
<a href="http://soundcloud.com/red-fog/frostar" rel="nofollow">http://soundcloud.com/red-fog/frostar</a></p>
<p>11:00 to 13:25, granular resysnthesis with a japanese shamisen instrument:<br />
<a href="http://soundcloud.com/sleeping-on-lotus-ashes/myoelectric-prosthetic-scabs" rel="nofollow">http://soundcloud.com/sleeping-on-lotus-ashes/myoelectric-prosthetic-scabs</a></p>
<p>Enjoy! And thanks Alessandro for this amazing tool of granules, a must.</p>
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		<title>Comment on Spotlight Artist by Adam Ritchie</title>
		<link>http://www.alessandro-petrolati.it/2010_density/?p=346#comment-226</link>
		<dc:creator>Adam Ritchie</dc:creator>
		<pubDate>Sun, 29 May 2011 11:49:12 +0000</pubDate>
		<guid isPermaLink="false">http://www.alessandro-petrolati.it/2010_density/?p=346#comment-226</guid>
		<description>A piece of music only using Density.  I fed 2 guitar parts into it and a field recording then improvised the performance using the many automation parameters available.   The piece has an accompanying visuals.

http://youtu.be/xcAv5hIvY78</description>
		<content:encoded><![CDATA[<p>A piece of music only using Density.  I fed 2 guitar parts into it and a field recording then improvised the performance using the many automation parameters available.   The piece has an accompanying visuals.</p>
<p><a href="http://youtu.be/xcAv5hIvY78" rel="nofollow">http://youtu.be/xcAv5hIvY78</a></p>
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		<title>Comment on Spotlight Artist by Fred Szymanski</title>
		<link>http://www.alessandro-petrolati.it/2010_density/?p=346#comment-186</link>
		<dc:creator>Fred Szymanski</dc:creator>
		<pubDate>Sun, 01 May 2011 16:27:02 +0000</pubDate>
		<guid isPermaLink="false">http://www.alessandro-petrolati.it/2010_density/?p=346#comment-186</guid>
		<description>Density allows me to work in realtime with grain envelopes to reshape sound samples.  The GUI functions are easy to learn and allow algorithmic control over multiple granular streams. I enjoyed being able to generate and record eight tracks to send to my diffusion system.

Pulsaret offers grainlet synthesis in a matrix system that puts the fun back into dsp and opens up extensive non-linear controls over microsonic synthesis.</description>
		<content:encoded><![CDATA[<p>Density allows me to work in realtime with grain envelopes to reshape sound samples.  The GUI functions are easy to learn and allow algorithmic control over multiple granular streams. I enjoyed being able to generate and record eight tracks to send to my diffusion system.</p>
<p>Pulsaret offers grainlet synthesis in a matrix system that puts the fun back into dsp and opens up extensive non-linear controls over microsonic synthesis.</p>
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		<title>Comment on Spotlight Artist by deeproject</title>
		<link>http://www.alessandro-petrolati.it/2010_density/?p=346#comment-154</link>
		<dc:creator>deeproject</dc:creator>
		<pubDate>Thu, 14 Apr 2011 12:07:15 +0000</pubDate>
		<guid isPermaLink="false">http://www.alessandro-petrolati.it/2010_density/?p=346#comment-154</guid>
		<description>deepproject &amp; Laura Muncaciu
VIE (Fano Live 10 april 2011)
http://www.youtube.com/watch?v=VQkrCTuCGVs

&lt;iframe src=&quot;http://player.vimeo.com/video/22386266&quot; width=&quot;400&quot; height=&quot;300&quot; frameborder=&quot;0&quot;&gt;&lt;/iframe&gt;&lt;p&gt;&lt;a href=&quot;http://vimeo.com/22386266&quot; rel=&quot;nofollow&quot;&gt;VIE deeproject Fano LIVE&lt;/a&gt; from &lt;a href=&quot;http://vimeo.com/apesoft&quot; rel=&quot;nofollow&quot;&gt;apeSoft&lt;/a&gt; on &lt;a href=&quot;http://vimeo.com&quot; rel=&quot;nofollow&quot;&gt;Vimeo&lt;/a&gt;.&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>deepproject &#038; Laura Muncaciu<br />
VIE (Fano Live 10 april 2011)<br />
<a href="http://www.youtube.com/watch?v=VQkrCTuCGVs" rel="nofollow">http://www.youtube.com/watch?v=VQkrCTuCGVs</a></p>
<p><iframe src="http://player.vimeo.com/video/22386266" width="400" height="300" frameborder="0"></iframe>
<p><a href="http://vimeo.com/22386266" rel="nofollow">VIE deeproject Fano LIVE</a> from <a href="http://vimeo.com/apesoft" rel="nofollow">apeSoft</a> on <a href="http://vimeo.com" rel="nofollow">Vimeo</a>.</p>
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		<title>Comment on Spotlight Artist by Makunouchi Bento</title>
		<link>http://www.alessandro-petrolati.it/2010_density/?p=346#comment-153</link>
		<dc:creator>Makunouchi Bento</dc:creator>
		<pubDate>Thu, 14 Apr 2011 09:02:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.alessandro-petrolati.it/2010_density/?p=346#comment-153</guid>
		<description>New ambient/drone live improvisation track called &quot;Treaba Ielelor&quot;, made as a demo for Density M4L!

makunouchi bento - treaba ielelor by wakax
http://soundcloud.com/wakax/treaba-ielelor

ambient drone experiment. part of our drone / improv setup. ( made as demo for Density M4L - http://www.densitygs.com/ ) Visit us: http://www.facebook.com/makunouchibento</description>
		<content:encoded><![CDATA[<p>New ambient/drone live improvisation track called &#8220;Treaba Ielelor&#8221;, made as a demo for Density M4L!</p>
<p>makunouchi bento &#8211; treaba ielelor by wakax<br />
<a href="http://soundcloud.com/wakax/treaba-ielelor" rel="nofollow">http://soundcloud.com/wakax/treaba-ielelor</a></p>
<p>ambient drone experiment. part of our drone / improv setup. ( made as demo for Density M4L &#8211; <a href="http://www.densitygs.com/" rel="nofollow">http://www.densitygs.com/</a> ) Visit us: <a href="http://www.facebook.com/makunouchibento" rel="nofollow">http://www.facebook.com/makunouchibento</a></p>
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		<title>Comment on Spotlight Artist by BT binaryacoustics</title>
		<link>http://www.alessandro-petrolati.it/2010_density/?p=346#comment-122</link>
		<dc:creator>BT binaryacoustics</dc:creator>
		<pubDate>Sun, 03 Apr 2011 12:14:59 +0000</pubDate>
		<guid isPermaLink="false">http://www.alessandro-petrolati.it/2010_density/?p=346#comment-122</guid>
		<description>Density is a slew of cutting edge granular operations in a fantastic working environment.
It&#039;s is one of my favorite secret weapons of choice for sound design. It&#039;s incredible</description>
		<content:encoded><![CDATA[<p>Density is a slew of cutting edge granular operations in a fantastic working environment.<br />
It&#8217;s is one of my favorite secret weapons of choice for sound design. It&#8217;s incredible</p>
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		<title>Comment on Spotlight Artist by Dara O Shayda</title>
		<link>http://www.alessandro-petrolati.it/2010_density/?p=346#comment-103</link>
		<dc:creator>Dara O Shayda</dc:creator>
		<pubDate>Tue, 22 Mar 2011 10:52:46 +0000</pubDate>
		<guid isPermaLink="false">http://www.alessandro-petrolati.it/2010_density/?p=346#comment-103</guid>
		<description>I used the Density for Sufi chants solely based upon the human voice and naturals sounds. I tried many other platforms but the most suitable software for such application of human voice and natural sounds manipulations is density so far.

Divine Hiss ( &#039;s&#039; sound) 
http://www.mediafire.com/file/qfd7xgt0i7w0gnd/siin_prf1_320.mp3

The piece starts with the songs of whales, they make sounds without opening their mouths. 

0:33-1:40 might seem like the sounds of hauling winds but actually 
they are the sounds from the syrinx of Vespers and Robins, slowed down  with super low-pitch. These birdsongs then sound just like a wind,  without any modification to the original sound, except by simply 
slowing-down and lowering the pitch. 

3:00-3:45 sounds like a hospital heart monitor, or an operating pump, 
but it is actually Bi-S-Mi of Basmala (IN THE NAME OF) again with super low-pitch! 

4:32-5:05 might sound like Ligeti&#039;s Requiem II, but it is actually the very beginning of the Ya of Ya- Siin!!!! Amazingly Granular Synthesis reveals a plethora of calls,  chorus unisonous calls.

Yaa-Siin has no  semantics it is only a sequence of several phones.

/* ============== */
http://soundcloud.com/dara-o-shayda/thunders-discourse  

Thunder is a massive multi-cellular organism, hundred of kilometres long and wide, many kilometres high stretching into outer-space, comprised of massive number of micro-organisms, particles anti-particles and audible acoustics as well as audible VLF electromagnetic waves:

http://www.untiredwithloving.org/thunder.html

00:22-01:10 The thunder acoustics slowed down and odd mumbles of conversations can be heard.

01:10-End 13:13 chant is slowed down from 3 secs to 7 minutes with microsecond long granules. Clearly hisses of Siin (&#039;s&#039; sound) and Haa (&#039;h&#039; sound) can be heard.

03:39-04:13 VLF audible electromagnetic waves are compared to the sound of the phoneme &#039;Ain (20th letter of the Arabic)

Production: Granular Synthesis by Density: http://www.densitygs.com/, the tracks arranged by Garage Band, the chant is by Sheikh AbdulRazaq bin Abtan Al-Dulaimi:http://www.mediafire.com/file/n7wcxk7z5czda3x/thunder_dulaimi_short.wav

All the other sounds e.g. rain and thunder are all naturally recorded sounds.

Dara O Shayda
</description>
		<content:encoded><![CDATA[<p>I used the Density for Sufi chants solely based upon the human voice and naturals sounds. I tried many other platforms but the most suitable software for such application of human voice and natural sounds manipulations is density so far.</p>
<p>Divine Hiss ( &#8216;s&#8217; sound)<br />
<a href="http://www.mediafire.com/file/qfd7xgt0i7w0gnd/siin_prf1_320.mp3" rel="nofollow">http://www.mediafire.com/file/qfd7xgt0i7w0gnd/siin_prf1_320.mp3</a></p>
<p>The piece starts with the songs of whales, they make sounds without opening their mouths. </p>
<p>0:33-1:40 might seem like the sounds of hauling winds but actually<br />
they are the sounds from the syrinx of Vespers and Robins, slowed down  with super low-pitch. These birdsongs then sound just like a wind,  without any modification to the original sound, except by simply<br />
slowing-down and lowering the pitch. </p>
<p>3:00-3:45 sounds like a hospital heart monitor, or an operating pump,<br />
but it is actually Bi-S-Mi of Basmala (IN THE NAME OF) again with super low-pitch! </p>
<p>4:32-5:05 might sound like Ligeti&#8217;s Requiem II, but it is actually the very beginning of the Ya of Ya- Siin!!!! Amazingly Granular Synthesis reveals a plethora of calls,  chorus unisonous calls.</p>
<p>Yaa-Siin has no  semantics it is only a sequence of several phones.</p>
<p>/* ============== */<br />
<a href="http://soundcloud.com/dara-o-shayda/thunders-discourse" rel="nofollow">http://soundcloud.com/dara-o-shayda/thunders-discourse</a>  </p>
<p>Thunder is a massive multi-cellular organism, hundred of kilometres long and wide, many kilometres high stretching into outer-space, comprised of massive number of micro-organisms, particles anti-particles and audible acoustics as well as audible VLF electromagnetic waves:</p>
<p><a href="http://www.untiredwithloving.org/thunder.html" rel="nofollow">http://www.untiredwithloving.org/thunder.html</a></p>
<p>00:22-01:10 The thunder acoustics slowed down and odd mumbles of conversations can be heard.</p>
<p>01:10-End 13:13 chant is slowed down from 3 secs to 7 minutes with microsecond long granules. Clearly hisses of Siin (&#8216;s&#8217; sound) and Haa (&#8216;h&#8217; sound) can be heard.</p>
<p>03:39-04:13 VLF audible electromagnetic waves are compared to the sound of the phoneme &#8216;Ain (20th letter of the Arabic)</p>
<p>Production: Granular Synthesis by Density: <a href="http://www.densitygs.com/" rel="nofollow">http://www.densitygs.com/</a>, the tracks arranged by Garage Band, the chant is by Sheikh AbdulRazaq bin Abtan Al-Dulaimi:<a href="http://www.mediafire.com/file/n7wcxk7z5czda3x/thunder_dulaimi_short.wav" rel="nofollow">http://www.mediafire.com/file/n7wcxk7z5czda3x/thunder_dulaimi_short.wav</a></p>
<p>All the other sounds e.g. rain and thunder are all naturally recorded sounds.</p>
<p>Dara O Shayda</p>
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		<title>Comment on Spotlight Artist by deeproject</title>
		<link>http://www.alessandro-petrolati.it/2010_density/?p=346#comment-102</link>
		<dc:creator>deeproject</dc:creator>
		<pubDate>Mon, 21 Mar 2011 11:24:11 +0000</pubDate>
		<guid isPermaLink="false">http://www.alessandro-petrolati.it/2010_density/?p=346#comment-102</guid>
		<description>Ur.L.O.
Urbino Laptop Orchestra
Software: Density/Pulsaret

Authors: Alessandro Petrolati, Carlo Fatigoni
www.densitygs.com
www.faticart.org

Institution: Accademia di belle Arti di Urbino
www.accademiadiurbino.it

Event: Out Of Range 
www.out-of-range.org

&lt;iframe src=&quot;http://player.vimeo.com/video/21289484&quot; width=&quot;400&quot; height=&quot;300&quot; frameborder=&quot;0&quot;&gt;&lt;/iframe&gt;&lt;p&gt;&lt;a href=&quot;http://vimeo.com/21289484&quot; rel=&quot;nofollow&quot;&gt;Ur.L.O. {Urbino Laptop Orchestra}&lt;/a&gt; from &lt;a href=&quot;http://vimeo.com/apesoft&quot; rel=&quot;nofollow&quot;&gt;apeSoft&lt;/a&gt; on &lt;a href=&quot;http://vimeo.com&quot; rel=&quot;nofollow&quot;&gt;Vimeo&lt;/a&gt;.&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>Ur.L.O.<br />
Urbino Laptop Orchestra<br />
Software: Density/Pulsaret</p>
<p>Authors: Alessandro Petrolati, Carlo Fatigoni<br />
<a href="http://www.densitygs.com" rel="nofollow">http://www.densitygs.com</a><br />
<a href="http://www.faticart.org" rel="nofollow">http://www.faticart.org</a></p>
<p>Institution: Accademia di belle Arti di Urbino<br />
<a href="http://www.accademiadiurbino.it" rel="nofollow">http://www.accademiadiurbino.it</a></p>
<p>Event: Out Of Range<br />
<a href="http://www.out-of-range.org" rel="nofollow">http://www.out-of-range.org</a></p>
<p><iframe src="http://player.vimeo.com/video/21289484" width="400" height="300" frameborder="0"></iframe>
<p><a href="http://vimeo.com/21289484" rel="nofollow">Ur.L.O. {Urbino Laptop Orchestra}</a> from <a href="http://vimeo.com/apesoft" rel="nofollow">apeSoft</a> on <a href="http://vimeo.com" rel="nofollow">Vimeo</a>.</p>
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		<title>Comment on Spotlight Artist by Badun</title>
		<link>http://www.alessandro-petrolati.it/2010_density/?p=346#comment-94</link>
		<dc:creator>Badun</dc:creator>
		<pubDate>Mon, 14 Mar 2011 18:07:55 +0000</pubDate>
		<guid isPermaLink="false">http://www.alessandro-petrolati.it/2010_density/?p=346#comment-94</guid>
		<description>density is fun, trip up, timeless, cool, easily comput :)

software with soul
well done

oliver duckert from badun</description>
		<content:encoded><![CDATA[<p>density is fun, trip up, timeless, cool, easily comput <img src='http://www.alessandro-petrolati.it/2010_density/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
<p>software with soul<br />
well done</p>
<p>oliver duckert from badun</p>
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		<title>Comment on Spotlight Artist by Nofi</title>
		<link>http://www.alessandro-petrolati.it/2010_density/?p=346#comment-92</link>
		<dc:creator>Nofi</dc:creator>
		<pubDate>Sun, 13 Mar 2011 10:10:53 +0000</pubDate>
		<guid isPermaLink="false">http://www.alessandro-petrolati.it/2010_density/?p=346#comment-92</guid>
		<description>&lt;a href=&quot;http://www.nofi.org/2011/02/16/melton-granular-01-and-melton-granular-02/&quot; rel=&quot;nofollow&quot;&gt;melton.granular.01&lt;/a&gt; and &lt;a href=&quot;http://www.nofi.org/2011/02/16/melton-granular-01-and-melton-granular-02/&quot; rel=&quot;nofollow&quot;&gt;melton.granular.02&lt;/a&gt; collect my recent work in microsound-scapes, featuring granular and pulsar synthesis, freeform rhythms and tone colors. Tracks can also be streamed on my &lt;a href=&quot;http://soundcloud.com/nofi/sets/microsound-1/&quot; rel=&quot;nofollow&quot;&gt;Soundcloud &lt;/a&gt; page. All sounds were created with &lt;a href=&quot;http://www.densitygs.com&quot; rel=&quot;nofollow&quot;&gt;Density GS&lt;/a&gt; and &lt;a href=&quot;http://www.densitygs.com&quot; rel=&quot;nofollow&quot;&gt;Pulsaret&lt;/a&gt; instruments (both the standalone apps and &lt;a href=&quot;http://cycling74.com/products/maxforlive/&quot; rel=&quot;nofollow&quot;&gt;Max for Live&lt;/a&gt; versions). Arrangement, mixing and mastering was done with &lt;a href=&quot;http://www.ableton.com&quot; rel=&quot;nofollow&quot;&gt;Ableton Suite&lt;/a&gt;. Processing effects were limited to resonant filters, grain delay, reverb and EQ.</description>
		<content:encoded><![CDATA[<p><a href="http://www.nofi.org/2011/02/16/melton-granular-01-and-melton-granular-02/" rel="nofollow">melton.granular.01</a> and <a href="http://www.nofi.org/2011/02/16/melton-granular-01-and-melton-granular-02/" rel="nofollow">melton.granular.02</a> collect my recent work in microsound-scapes, featuring granular and pulsar synthesis, freeform rhythms and tone colors. Tracks can also be streamed on my <a href="http://soundcloud.com/nofi/sets/microsound-1/" rel="nofollow">Soundcloud </a> page. All sounds were created with <a href="http://www.densitygs.com" rel="nofollow">Density GS</a> and <a href="http://www.densitygs.com" rel="nofollow">Pulsaret</a> instruments (both the standalone apps and <a href="http://cycling74.com/products/maxforlive/" rel="nofollow">Max for Live</a> versions). Arrangement, mixing and mastering was done with <a href="http://www.ableton.com" rel="nofollow">Ableton Suite</a>. Processing effects were limited to resonant filters, grain delay, reverb and EQ.</p>
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